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It’s sad, but the flipside is that if Dierks went ahead and put out a “serious” song that you and I and everyone else at this website loved, but it didn’t impact Country radio like Capitol Records wanted he might be stuck in a Josh Turner situation. They talk a good game about wanting to embrace their musical roots and write and record deeper material, but when faced with the prospect of risking the lifestyle and money that comes with being a “hit” Country artist it’s too much for them to pass up and they record whatever crap makes their label heads happy. all playing the mainstream radio game and churning out crap in the process. It seems to be a race to the bottom, with the good artists like Gary Allan, Dierks Bentley, Joe Nichols, etc. I think at this point we have to accept that fact that (sadly) the lines between “good” Music Row artists and bad Music Row artists is more blurred than it ever has been. Two Guns Down (1/10)Įh, I have no doubt that Ingram, Canada and Rogers are all influences on him.
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But none of this will make this monstrosity go away.
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Yeah yeah, wasn’t Up On The Ridge an awesome album, and weren’t a bunch of cuts from Riser inspiring, and isn’t it refreshing to see Dierks can laugh at himself with his Douglas Douglason & Hot Country Knights gimmick. “Somewhere on a Beach” is just a big shit sandwich, and all Dierks Bentley apologists are going to have to take a bite. Well I’m so happy Dierks that your new lover has found a mortal coil to possess, lest she be stuck between the spiritual and material world for eternity, resigned to perpetrating unverified natural phenomena in an attempt to get the living to acknowledge her presence like a poltergeist. My favorite line of the song is when Dierks states, “She got a body.” What separates “Somewhere on a Beach” from all of the other Dierks Bentley sellout singles is the emergence of the rounded off vowels and dropped S’s that accompany the effort to instill a song with the metro Ebonic hipness indicative of Sam Hunt, which of course goes part and parcel with the narration of douchebag behavior. And all of these songs are centered around people’s stupid-ass phones. What the hell is this, freaking high school? Get over yourselves. Isn’t navigating the madness of human love hard enough without some asshole saying “Nanny nanny boo boo” to you when all you’re trying to do is mend a broken heart? We got this same thing from Luke Bryan’s new ear screw with Karen Fairchild “Home Alone Tonight.” It’s all about going out and having a good time, and then rubbing it in you ex-lover’s face. It’s so bad, it’s hard to know where to start unraveling the badness, but let’s start by bemoaning this new trend in pop country songs to troll ex-lovers by bragging about how you’ve moved on. Not even a mean, echo-filled guitar tone driving “Somewhere on a Beach” could graduate this effort to anywhere near redeemable. But for now, he needs a bullet on the radio so he takes a bitter pill, swallows hard, a puts out a dumbass beach song. This is “Drunk on a Plane #2.” Dierks has been doing this his entire career, and when his new album comes out, it will still be one of the better ones released in mainstream country all year I bet. This is Dierks trying to be all things to all people. “Somewhere on a Beach” is as godawful as it sounds on paper, but this is classic bait-and-switch Dierks.
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Look folks, everything’s going to be just fine. Where’s the non sober version of Jason Isbell when you need someone to proclaim “ Dierks is a douchebag!” on social media? My man! Why hast thou forsaken us, and the day after I told a hockey site, “Dierks Bentley is very well-liked inside and outside the mainstream of country” no less.